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KARAKTERFORDELING · H 2025
14 kandidater
Alle delene må normalt være bestått. Karakterfordelingen over gjelder emnet samlet.
Kilde: Data hentet fra Felles studentsystem ved NMBU, slik den var publisert for høsten 2026. NMBU har ikke kvalitetssikret og er ikke ansvarlig for innholdet på denne siden.
NMBU sin egen emnebeskrivelse — læringsutbytte, innhold og vurderingsform.
The Social sustainability in a context of vulnerability (GLA305) studio course is the final design exercise preparing GLA students for the final thesis. It is centered on maintaining and enriching contemporary and succeeding generations' well-being and quality of life while tackling the contemporary volatile environment framed by injustice, vulnerability, socioeconomic disparities, and conflicts. In line with the International Federation of Landscape Architects' statement, the course aims to prepare students to design "globally sustainable and balanced living environments for the benefit of humanity on a global scale" (IFLAWorld, 2023).
The course is structured in a series of exercises, lectures, class critiques and pinups, discussions, and studio work on a semester-long landscape project. The exercises are meant to guide students through the mapping, reading and analyzing of the study area, looking at different aspects (spatial, social, cultural..). Lectures address the course theme by involving practitioners and researchers with expertise in the studio's topic. Studio work is the main component of the course. It comprises group work, discussions, weekly class critiques, midterm and final pin-ups/presentations.
The GLA 305 studio is based on a Student-Centered pedagogy (SCP) and the Self-Regulated Design Learning (SRDL) theory. It sees the studio as a place for students and instructors to engage in open-ended, iterative, and collaborative design inquiry and experimentation by "designing through," "designing in," and "designing for". The results of the studio are scenarios of possible approaches and strategic thinking. As a result, the focus of education is shifting from problem-solving with predetermined goals to a method in which the casualties of the events are recognized in the creation of new knowledge.
The semester is organized in passing phases with objectives and deliverables, midterm and a final review. Particular attention is paid to the relevance and plausibility of each design research project and the contribution of the projects compared to the sources and references used.
Learning Outcomes
At the end of the course, students will be able to:
Knowledge
Skills
General Competencies
Curiosity to explore and openness to move beyond conventional wisdom. Finding a balance between structured and unstructured ways of working.
Contributions, curiosity, respect, tolerance and patience for peer learning.
Embrace process over product.
The course workload is distributed between structured teaching and independent study, reflecting the student-centred and process-based nature of the studio.
This includes lectures, short presentations, facilitated discussions, consultations on assignments, critiques, reviews, and feedback sessions. These activities support and frame the learning process, while encouraging active participation and dialogue.
The majority of the course is dedicated to self-directed learning, including individual work and group project development. During this time, students conduct research, develop concepts, test design ideas, refine proposals, and prepare presentations and portfolio materials. This structure supports iterative learning, responsibility for one's own progress, and collaborative project development.
Exception from package of measures 1: Studio.
The subject uses one of the rooms in KA
Portfolio Evaluation
The final assessment is based on a portfolio that compiles all project work developed throughout the studio. The portfolio represents the outcome of the semester-long process and demonstrates the progression, refinement, and synthesis of ideas.
The portfolio must include:
The portfolio will be evaluated as a whole, considering the quality of the design process, analytical depth, conceptual development, visual communication, and coherence of the work.
Grading scale: AF
All submissions and presentations must be prepared and delivered in English.
K2.
Artificial Intelligence tools may be used as a source of inspiration in the development of assignments. AI can support brainstorming, idea exploration, or preliminary research.
If AI tools are used, students must briefly describe how they were used in their work. This includes:
The use of AI should remain transparent, responsible, and aligned with academic integrity principles. The student remains fully responsible for the content, analysis, design decisions, and final submission.
The course is organized in progressive phases, each with clear intentions and deliverables, but the learning process remains open, iterative, and student-driven. Throughout the semester, students actively engage in exercises, lectures, discussions, class critiques, pin-ups, and studio work centered on a semester-long landscape project.
The exercises are designed to support independent inquiry and collaborative learning. Students map, read, and analyze the study area from spatial, social, cultural, and environmental perspectives. Rather than simply receiving information, students are encouraged to interpret, question, and construct their own understanding of the site as part of their design process.
Lectures complement the studio and introduce theoretical and practical perspectives related to the course themes. Contributions from practitioners and researchers provide inspiration, but students are expected to critically reflect on these inputs and integrate them into their own work.
Studio work forms the core of the course and is grounded in dialogue, peer learning, and continuous feedback. Students work in groups, share ideas, present their progress in weekly pin-ups, and participate in critiques and discussions. The role of the instructor is to guide, facilitate, and support the learning process, while students take responsibility for developing, testing, and refining their ideas through reflection and collaboration. This structure supports self-directed learning, experimentation, and active engagement.
MARIA GABRIELLA TROVATO (fall 2024)
Guest (TBC)
Tailor-made for each thematic framework.
A course description, structure, and syllabus will be provided at the beginning of the studio.
Kilde: Data hentet fra Felles studentsystem ved NMBU, slik den var publisert for høsten 2026. NMBU har ikke kvalitetssikret og er ikke ansvarlig for innholdet på denne siden.
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Basert på hvor kandidatene til eksamen var registrert (DBH).
Emner som tas i de samme studieprogrammene som GLA305.
| Semester | Kandidater | Snitt | Stryk |
|---|---|---|---|
| Høst 2025 | 14 | A (4.57) | 0 % |
| Høst 2024 | 9 | A (4.67) | 0 % |
| Høst 2023 | 18 | B (4.22) | 0 % |
| Høst 2022 | 13 | C (3.38) | 0 % |
| Høst 2021 | 6 | B (4.00) | 0 % |