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MEVIT1110
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KARAKTERFORDELING · H 2025
93 kandidater
Kilde: Felles studentsystem (FS) via Universitetet i Oslo, slik den var publisert for høsten 2026. Universitetet i Oslo er ikke ansvarlig for innholdet på denne siden.
UiO sin egen emnebeskrivelse — læringsutbytte, innhold og vurderingsform.
The course Audiovisual Aesthetics is a theoretical and analytical introduction to the narratives, styles and genres of audiovisual media, such as film, television and computer games.
These audiovisual media are diverse variants of what historically have been termed moving images, defined by media philosopher No || chr(38) ||euml;l Carroll as || chr(38) ||quot;a mode of communication and expression that can be implemented cinematically, videographically, digitally, and/or in ways which we still have to conceive || chr(38) ||quot;.
After completing the course, the student should be able to:
No obligatory prerequisites beyond the minimum requirements for entrance to higher education in Norway.
Students at UiO must apply for courses in StudentWeb.
International applicants, if you are not already enrolled as a student at UiO, please see our information about admission requirements and procedures for international applicants.
The examination in this course is not available for external candidates. Only students admitted to the course may sit for the examination.
Lectures and seminars. Please see the term page for time and place.
A student who has completed compulsory instruction and coursework and has had these approved, is not entitled to repeat that instruction and coursework. A student who has been admitted to a course, but who has not completed compulsory instruction and coursework or had these approved, is entitled to repeat that instruction and coursework, depending on available capacity.
You can usually resit an exam, but the conditions depend on whether you had a valid reason for absence from the regular exam. Read more about resitting an exam.
Grades are awarded on a scale from A to F, where A is the best grade and F is a fail. Read more about the grading system.
The exam must be written in English.
You may request an explanation of your grades, and you may also appeal against your grades or make a complaint about formal examination errors. Read more about explanations and appeals.
Feedback from our students is essential to us in our efforts to ensure and further improve the high quality of our programmes and courses. All courses are subject to continuous evaluation. At regular intervals we also ask students on a particular course to participate in a more comprehensive, periodic evaluation of this course.
Reading list
BOOK
Bordwell, David and Kristin Thompson (2009 (1979)) Film Art. An Introduction. 9th ed. New York and London: McGraw-Hill (Chapter 2-6, pages 55-519) ¿ 465 pages
ARTICLES (in compendium if not otherwise stated)
Narrative
Lacey, Nick (2000) "Introduction to Narrative Theory", in Narrative and Genre. Key Concepts in Media Studies, London: Macmillan, pp. 5-77 ¿ 73 pages
Barthes, Roland (1966) "Introduction to the Structural Analysis of Narrative", in Roland Barthes and Stephen Heath (ed.) (1993) Image-Text-Music, New York: Hill and Wang, pp. 79-124 ¿ 46 pages
Games
Aarseth, Espen (2005) "From Hunt the Wumpus to EverQuest: Introduction to Quest Theory" (blir tilgjengelig via nett) ¿ (2010) "A Narrative Theory of Games" (blir tilgjengelig via nett)
Eskelinen, Markku (2001) "The Gaming Situation" http://gamestudies.org/0101/eskelinen/ (Online)
Apperley, Thomas H. (2006) "Genre and game studies: Toward a critical approach to video game genres" (blir tilgjengelig via nett)
Manovich, Lev (2001) "From The Language of New Media", in Leo Braudy & Marshall Cohen (ed.) (2009) Film Theory and Criticism. Introductory Readings, 7th ed., New York and Oxford: Oxford University Press, pp. 785-801 ¿ 17 pages
Film
Eisenstein (1929) "From Film Form", in Leo Braudy & Marshall Cohen (ed.) (2009) Film Theory and Criticism. Introductory Readings, 7th ed., New York and Oxford: Oxford University Press, pp. 13-40 ¿ 28 pages
Bordwell, David (1997) "On the History of Film Style", Cambridge.: Harvard U. P., pp. 1-11 ¿ 11 pages
Genre/Tone
Hayward, Susan (2000) "Genre/Sub-genre", in Cinema Studies. The Key Concepts, London and New York: Routledge, pp. 165-170 ¿ 6 pages
Altman, Rick (1984) "A Semantic/Syntactic Approach to Film Genre", in Barry Keith Grant (ed.) (2003) Film Genre Reader III, Austin: University of Texas Press, pp. 27-41 ¿ 15 pages
Neale, Steve (1990) "Questions of Genre", in Barry Keith Grant (ed.) (2003) Film Genre Reader III, Aust
If you have a disability or a health problem that entails significant inconvenience in an examination situation, you may be considered for special examination arrangements. Mothers who are breastfeeding may apply for extra time to complete the exam.
A student may sit this exam up to 3 times. If a student wishes to withdraw from the exam, s/he must do so in StudentWeb at least two weeks prior to the first day of the exam. Failure to do so will be counted as one of the three opportunities to sit the exam.
Kilde: Felles studentsystem (FS) via Universitetet i Oslo, slik den var publisert for høsten 2026. Universitetet i Oslo er ikke ansvarlig for innholdet på denne siden.
Hva burde andre vite før de tar dette? Anonymt, ingen innlogging.
Basert på hvor kandidatene til eksamen var registrert (DBH).
Emner som tas i de samme studieprogrammene som MEVIT1110.
| Semester | Kandidater | Snitt | Stryk |
|---|---|---|---|
| Høst 2025 | 93 | C (3.26) | 5,4 % |
| Høst 2024 | 91 | C (3.43) | 0 % |
| Høst 2023 | 88 | C (3.44) | 0 % |
| Høst 2022 | 89 | C (3.36) | 0 % |
| Høst 2021 | 77 | C (3.31) | 0 % |
| Høst 2020 | 111 | C (3.12) | 0 % |
| Høst 2019 | 65 | C (3.40) | 4,6 % |
| Høst 2018 | 137 | C (2.74) | 8,8 % |
| Høst 2017 | 137 | C (2.92) | 3,7 % |
| Høst 2016 | 133 | C (3.08) | 0 % |
| Høst 2015 | 116 | C (2.71) | 7,8 % |
| Høst 2014 | 145 | D (2.46) | 12,4 % |
| Høst 2013 | 131 | C (2.84) | 4,6 % |
| Høst 2012 | 126 | C (3.12) | 0 % |
| Høst 2011 | 122 | C (2.56) | 4,9 % |