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MEVIT4710
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KARAKTERFORDELING · H 2025
21 kandidater
Alle delene må normalt være bestått. Karakterfordelingen over gjelder emnet samlet.
Kilde: Felles studentsystem (FS) via Universitetet i Oslo, slik den var publisert for høsten 2026. Universitetet i Oslo er ikke ansvarlig for innholdet på denne siden.
UiO sin egen emnebeskrivelse — læringsutbytte, innhold og vurderingsform.
Of what importance are the histories and theories of screens for understanding our current screen cultures? Screens are now a dominant presence and interface in culture in a number of ways. Screens are no longer defined by their institutional location (the cinema, the living room, the office) but are ubiquitous. They come across as various types and scales, from mobile phones and video games to virtual realities. We carry screens with us, devote our attention to them, navigate our behaviours with them. In return, screens disclose worlds more beautiful and desirable than ours beneath their surface, capturing us into cycles of dreamy consumption.
Although the manifold histories of screen cultures extend much further than the introduction of cinema, in this course we take cinema’s advent as a significant turning point for our contemporary understanding of screen media. Tracing through screen media history we analyse the theoretical positions through which screens, and their cultures, have emerged and evolved over time. That is to say, this is a course that attends to screen histories and theories together. We look at the past to make sense of what is happening at the present, and to come up with critical conceptual tools to understand the various workings of screens - from before early film to the smart phone and to the noisy surfaces that fill today’s lived environments. By charting how we have conceived of different screens in critical moments from before the advent of film through to the present, together we examine and theorise how screens have reacted to, altered, functioned, and informed society and culture.
Candidates who have completed the Screen Histories and Theories course will have acquired the following knowledge, skills and general competences:
Knowledge
After completion of the course, the candidate:
Skills
After completion of the course, the candidate:
General competences
After completion of the course, the candidate:
Students who are admitted to study programmes at UiO must each semester register which courses and exams they wish to sign up for in Studentweb.
The course is available to students admitted to HFM2-SCUL. Students enrolled in other Master`s Degree Programmes can, on application, be admitted to the course if this is cleared by their own study programme.
If you are not already enrolled as a student at UiO, please see our information about admission requirements and procedures.
Nine workshops (lectures/seminars), each for three hours, except for one four hour workshop.
Compulsory activities:
In order to qualify for the exam, the following compulsory activity must be passed:
If you get ill or have other valid reasons for not being able to meet the deadline of the compulsory activity, you must apply for valid absence or postponed deadline.
Three day take home exam.
Compulsory activity must be passed in order to take the exam.
Kilde: Felles studentsystem (FS) via Universitetet i Oslo, slik den var publisert for høsten 2026. Universitetet i Oslo er ikke ansvarlig for innholdet på denne siden.
Hva burde andre vite før de tar dette? Anonymt, ingen innlogging.
Basert på hvor kandidatene til eksamen var registrert (DBH).
Emner som tas i de samme studieprogrammene som MEVIT4710.
| Semester | Kandidater | Snitt | Stryk |
|---|---|---|---|
| Høst 2025 | 21 | C (2.95) | 0 % |
| Høst 2024 | 21 | C (2.81) | 0 % |
| Høst 2023 | 31 | B (3.81) | 0 % |
| Høst 2022 | 29 | C (3.48) | 0 % |